• broken image

    New Directions... Teaching

    • Primary and Middle schools: Reinforce Aegyptian art history; a laboratory for inventing a chair
    • Accademia di Belle Arti di Brera: Teaching Art and creativity for the Cultura tessile class
    • Politecnico di Milano: Teaching the use of Styles in Arts for the Master course at the "Design for Luxury"
    • Unimi, Univerità della Terza Età: corso annuale di Storia dell'Estetica

  • broken image

    MANAGE ART INTO THE PRESENT

    Education - Lectures - Visits - Scholarships - Research

    Galleries - Collectoris - Companies - Museums

    Valuation - Catalogue entries - Trading - Insuring - Legal Assesments

    Restorations - Logistics - Comunication - Media editing 

  • broken image

    WHY

    WE MANAGE ART

     

    Art is a science and it needs a specialist

    We are art historians and an experts since 1995

    and this is our passion

     

    The managing of Arts needs method,

    a team of experts, research

     

    Each client has confidencial, different needs

    Auction houses, private collectors, galleries,

    companies and museums...

  • HOW

    WE MANAGE

    ART

    knowing the rules, tricks, data, and players

    both in the private and public sector

    • Speaking the language of each player: banks, museums, restorers, decorators, collectors
    • Concerning about the quality of results
    • Reaching results quickly being personally in charge of people and projects
    • Safeguarding the feelings of the people involved 
    • working with all majior experts in the art field: confidential exchange of studies and researches with specialised art historians and gallery owners 
    • Established reputation built over time by results

  • ADVISING

    IS

    culture

    technical eye

    managing capability

    connecting sensibility

    Education

    Intelligent visiting

    Specific Lecturing

    Didactical planing

    Collectors

    Expertise, Valuation

    Conscious restoring

    Inventory

    Trading

    Museums

    Fund raising, Sponsorships

    Exhibitions, Openings,

    Essays, Research, Cataloguing

    Galleries

    Events

    Public relations

    Editing

    Website projects

    Companies

    Exploiting Art Company assets

    Art heritage

    Company museum

    Insurance, Import/Export permits

    Public Relations

    - Informing each client about what’s on that they like

    - Build up participation at you events

    - Crossing initiatives between galleries, companies, universities and charities

  • WHO I AM

    A FOUDER IN ART CONSULTING

     

    Up to 1999 the experiences where I have learnt the most have been editing with Electa Art books and cataloguing for Finarte Auction house. I assisted the most qualified experts and art historians in the Furniture, Objects of Art, XIX century painting, Rugs and Carpets departments; I was then in charge of all catalogues, external and media relations.

    I had a quick tour in the movie industry as assistance to the costume designer Gabriella Pescucci: "A" The Scarlet Letter and Amata Immortale have been joyful experiences allowing me to pursue my love for tailoring and embroidery.

     

    From 2001 my activities have been focused on freelance counselling.

    For main art galleries as Mazzolemi Arte, Il Quadrifoglio, Moshe Tabibnia, Marco Riccomini, Rob Smeets, exhibiting in and out of Italy, I took care of publications, research and catalogue entries as well as fittings, receptions and public relations.

     

    Museums as the Collezione Bertarelli and the Museo di Arti applicate in the Castello Sforzesco and Palazzo Reale (Milan), Museo Gianetti (Saronno), Museo Accorsi (Torino) asked me for exhibitions, publications and fund raising.

     

    Main and small auction houses as Sotheby's, Christie's, Il Ponte, Pandolfini, Rubinacci, Wannenes, Von Morenberg, trusted me when I introduced private and institutional customers, managed start up, organized house sales and non-profit auctions.

     

    Institutions such as the the Fondazione Mario Negri, the Università Bocconi, the Touring club, the Italian Stock Exchange, Arner bank, Io broker, Lega Italiana Tumori asked me to valorise some of their Art.

     

    Companies had assets to be valued: Gabrius spa, Michele Solbiati sasil, Schmid spa. Families and collectors had personal and inheritance needs, this has been the majority of my counselling work though confidential.

  • WHO I LEARNED FROM

    broken image

    Corsi Arte Antiquaria

    http://corsiarte.it

    Italian XVIII and XIX furniture: assessment as legal expert

    Ceramic, Glass, Heraldry, Books

    broken image

    The Study Centre for the study of the Fine and Decorative Arts, London

    Diploma course on the History of the Fine and Decorative Arts in Europe

    broken image

    Università degli Studi di Milano

    University degree

    Philosophy and Art

    Thesis: The Prophetic Imagination of William Blake           Graduated 110/110

  • FOR AND WITH

    broken image

    Giuseppe Beretti

    Arts historian, restaurer - Milan

    http://www. laboratorioberetti.eu

    I've worked with Lorenza since 1999. We founded Cappucciosedici Art Advising office as partners and since then always collaborated in the most successful way.

    She is competent and reliable, her advice is farsighted, neat, discerning and international.

    She enlarges business toward international views.

    broken image

    Luca Melegati

    Decorative Arts historian

    Director, Head of Decorative Arts department, Wannenes, Milan http://www.wannenesgroup.com

    I worked with Lorenza since 1998 and we collaborate together since then .

    From 1999 to 2003 we were partners at Cappucciosedici, the Art Advising office we set up together with other art historians: here she took care of catalogue entries, public relations, relation with media and trading for private collectors.

    She brought new clients and worked with the others partners for common projects.

    We cooperate as expert continuously as I trust her at the most.

    In 2014 we worked again together to assist a private collector willing to sale important ceramic items.

    She is very careful in her assistance both in practical and procedural aspects. She always pursues the best results for her clients. She is efficient and heedful.

    broken image

    Michele Subert

    antiquarian

    owner at Subert

    http://www.subert.it

    Lorenza has been my student, I worked with her and she is a good friend too.

    She worked for my family gallery as broker: she had a standing of balance and professionalism.

    She is competent in assisting her client and willingly to get the best for him and takes commercial operations and her duties to completion with commitment.

    broken image

    Carlo Severgnini

    President Amici della Collezione delle Stampe Achille Bertarelli onlus

    http://www.bertarelli.org 

    I do recommend Lorenza.

    From 2001 to 2006 she supervised the activities at Bertarelli onlus: relations with members, organization of exhibitions, events and the links with the Museum activities.

    She also catalogued (2006/7) my family private collection either in Milan and in other Estates: her precision and extremely professional attitude made the family inheritance so much easier.

    Lorenza is trustworthy, prepared, committed and attentive.

    broken image

    Paolo Ciccarelli

    former Cfo Borsa Italiana

    President at Schmid spa

    studio ciccarelli

    I fully recommend Lorenza.

    She accomplishes for Borsa Italiana an amazing task of studying and researching in archives, editing of panels and setting the exhibition on the original setting of the Italian Stock exchange Palace: so good was her work that it is still on the spot.

    For Schmid spa she made a new web site and invented an auction about particular tissues: never done before! She made inventory, cure images and exhibition as well as post-auction administrative issues.

  • THINKING

    some thinking

    Palazzo Archinto: a Palace for culture   The earliest archival evidences on Palazzo Archinto date back to the 15th century. They identify as owners the Del Conte (or De Comite), a family belonging to the Milanese nobility since 1099, and linked by inheritance to the even more prestigious Visconti...
    Add paragraph text here A few days ago a plaster cast of Michelangelo Buonarroti's Pietà Rondanini returned to situ in the atrium of the Institute of Legal Medicine in Milan where it had been missing since ... ... The lobby had been inhabited since 19 ... From the "Calco Gariboldi" performed by...
    9 février 2017
    The Collector profile has changed, the collector does not collect his favourite item or period style anymore. The collector buys, invest and capitalise well in different styles. Some twenty-five years ago - not a century ago- collectors were often monothematic, compulsive and obsessive; if they...
  • TO

    Enquiry about your Art

  • WHERE YOU FIND YOUR ADIVCE

    broken image

    Lorenza Rotti Art Consulting

    Your Personal Art advisor

    Owner 

    2001 – Present

    Milano, Italy - Via Bernardino Zenale 13 - 20123

    mailto: lorenza@rotti.it

    Wk +39 02 45482446/7 - +39 3292320404

  • CONTAC

    broken image

    lorenza@rotti.it

    www.rotti.it

    broken image

    +393292320404

    broken image

    Via Bernardino Zenale 13

    Milan 20123, Italy

    broken image

    Lorenza Rotti

    broken image

    Skype: Rottilo

    broken image

    @LorenzaRotti